Story Evaluation
Professional assessment of cinematic potential.
A structured read against screen criteria: narrative engine, character arcs, visual language, set-piece potential and the shape of a viable second act.
NORTHBRIDGE MOTION LLC represents exceptional books with cinematic potential and connects authors with producers, studios, and entertainment companies seeking compelling stories for film and television.
WE ARE NOT A PUBLISHER. NO EDITING, GHOSTWRITING, PRINTING OR DISTRIBUTION — ADAPTATION REPRESENTATION ONLY.
NORTHBRIDGE MOTION LLC specialises in identifying stories with strong adaptation potential — narratives whose structure, characters and imagery translate to a camera. Our entire practice is built around a single question: could this become a film?
Founded by readers who came up through development, coverage and acquisitions, our team assesses books the way a studio does. We look at commercial appetite, format fit, audience, budget implications and rights position — then we take qualified projects into the rooms where those decisions get made.
“We help bridge the gap between authors and the entertainment industry.”
Adaptation Categories We Pursue
Northbridge Motion is not a publishing company. We do not publish, edit, ghostwrite, print, market or distribute books. Our sole focus is adaptation representation for screen.
In The Room
From page to principal photography
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Manuscripts Assessed
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Producer Relationships
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Territories Covered
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Days · Median Evaluation
Every engagement moves a book closer to a screen. There are no publishing packages here, no add-ons and no upsells into services that belong to a different industry.
Professional assessment of cinematic potential.
A structured read against screen criteria: narrative engine, character arcs, visual language, set-piece potential and the shape of a viable second act.
Determine whether the story has commercial adaptation value.
We benchmark the work against what buyers are actively acquiring — comparable titles, audience size, budget band and the realistic ceiling for the property.
Identify the strongest format for the material.
Some books are two-hour films. Others are eight-episode limited series. We recommend the route that gives the story its best commercial and creative life.
Present qualified projects to production companies and entertainment professionals.
Targeted, curated outreach. Your project goes to the producers, executives and financiers whose current slate and mandate genuinely match the material.
Guidance regarding adaptation rights and licensing.
Clarity on what you own and what you would be licensing — option periods, reserved rights, sequels, territory and the vocabulary of an adaptation deal.
Prepare projects for professional presentation within the entertainment industry.
Logline, one-sheet, comparables and pitch framing — assembled to the standard an executive expects before they will spend an hour with your story.
A disciplined, transparent path. You will always know which frame your project is sitting in and what happens next.
You send the title, genre and a short synopsis. Published, unpublished or in-progress — what matters is the story, not the imprint.
A reader assesses narrative structure, character, pacing and voice, and writes internal coverage on how the material behaves as a screen story.
We test the work for visual translatability, set-piece potential, budget implications, audience size and the format that suits it best.
Logline, positioning, comparables and a rights summary are assembled into presentation materials that meet industry expectations.
Your project is introduced to selected producers, production companies, streamers and executives whose mandate genuinely matches the material.
Interested parties request the manuscript, ask questions and assess fit. We manage the conversation and keep you informed at every turn.
Option terms, purchase price, rights scope and timelines are discussed. You retain independent counsel; nothing moves without your signature.
An option or acquisition agreement is executed and your book enters development for the screen — the outcome the entire process is built toward.
Send us the title, the genre and a few sentences. If the cinema is there, we will find it — and if it is not yet, we will tell you exactly what is missing.
A specialist practice behaves differently from a generalist one. Here is what that difference looks like in day-to-day representation.
ONE PRACTICE AREA. ONE OUTCOME. ADAPTATION.
Adaptation is not one of our departments — it is the whole company. Every hour we work is spent moving books toward the screen.
Working relationships with producers, production companies, streamers and development executives who are actively acquiring material.
Coverage written by readers trained in development, judged against the criteria a studio actually applies — not a review of your prose.
We track what is being greenlit, what is oversupplied and where the appetite is shifting, then position your project accordingly.
You are told where your project stands, who has seen it and what came back. No vague reassurance and no manufactured urgency.
Your copyright stays yours. Nothing is licensed, optioned or committed without your explicit written approval.
Genre is a signal, not a gate. If your book sits between two of these — or outside all of them — and the cinema of it is strong, we still want to read it.
Character-led, awards-facing
High-tension, series-friendly
Returnable, procedural potential
Streaming's most reliable engine
World-building, franchise scope
Concept-first, global reach
Prestige limited series
Animation and family features
Devoted, well-defined audience
Four-quadrant theatrical
True story, festival-facing
Built-in readership, series arc
No mystery, no black box. These are the checkpoints every represented author moves through, and roughly when they happen.
The questions authors ask us most often, answered the way we would answer them on a call.
Still unsure whether your book is a fit? Send us the synopsis and we will tell you honestly.
Fiction and non-fiction across drama, thriller, mystery, romance, fantasy, science fiction, historical fiction, children's, faith-based, adventure, biography and young adult. Published, independently published and unpublished manuscripts are all welcome. What we assess is cinematic potential — whether the story can carry a screen.
No. Northbridge Motion LLC is not a publishing company and never acts as one. We do not publish, edit, ghostwrite, print, market or distribute books, and we do not sell publishing packages. Our only business is representing books for adaptation into film, television, streaming, documentary and animation.
After evaluation, if we believe a project is viable we prepare it for the market and introduce it to producers, production companies, streamers and executives whose current mandate matches the material. We manage those conversations, report back to you, and support you through any resulting negotiation.
You receive written acknowledgement with a reference number. A reader is assigned and produces internal coverage. You then receive our assessment and, where the material is a fit, a recommended adaptation strategy and a proposed route to market.
Yes. You retain full copyright in your work at all times. Representation does not transfer ownership. Any option or purchase of adaptation rights is a separate agreement between you and the acquiring party, entered into only with your written consent and, we strongly recommend, your own legal counsel.
No, and you should be cautious of anyone who does. Adaptation decisions rest with buyers and depend on market conditions, slate priorities, financing and timing. What we guarantee is a professional evaluation, honest counsel and genuine, targeted introductions where the material warrants them.
Most evaluations are returned within two to three weeks of submission, with a median of around twenty-one days. Longer or more complex manuscripts can take additional time; if that applies to your project we will tell you in advance rather than let the date slide.
Yes. We accept submissions written in English from authors anywhere in the world, and we regularly consider material for territories beyond the United States. Rights position and territory availability are part of the assessment.
If you believe your book has the potential to become a feature film, television series, or streaming production, we would love to hear from you. Complete the form below, and a member of our team will contact you.
Our Location
NORTHBRIDGE MOTION LLC
15442 Ventura Blvd., Ste 201-2593
Sherman Oaks, California 91403
United States
Business Hours
Monday – Friday: 8:00 AM – 5:00 PM
Saturday – Sunday: Closed
PACIFIC TIME
Tell us about the book. The more specific your synopsis, the faster we can assess its potential for the screen.